Techniques to Make Deep House Music

House music
Just about the most fundamental portions of almost any deep house music may be the driving drum's. The drum patterns tend to adhere to a 4/4 beat format and don't really deviate from that apart from minimal cuts and alterations through the entire arrangement. You can create your drums using various programs including Ultrabeat, Drum Rack or Ableton Live. Personally I favor to utilize a drum machine. An excellent drum machine to make use of is Native Instruments extremely popular Maschine. It' s cheap, a breeze to use and also the software programs are updated regularly. It arrives with a massive bank of drum sounds and you may always import your personal sounds into it. The hands on feel utilizing a drum machine is quite attracting most pro producers rather than using keys with a keyboard. You recruit a better 'vibe' caught on the pads and it feels a bit more natural. Make an attempt to make drums feel organic instead of 'robotic' sounding. Although deep house drums manage a regimental 4/4 pattern, how much swing/quantize applied plays a significant part from the rhythm. It offers a superior the groove a lazy and loose feel, which can be what you need.

House music
When deciding what sounds for your drums, choose them wisely. Spending some time paying attention to which sounds opt for what, for example a bass heavy kick may not sound too great having a really deep bass sound, if you're utilizing a really deep bass heavy sound, you might use really a small sounding kick. Another example may be, a hi-hat with a lot of attack and high resonance will likely not sound too cool with a noisy snare drum or percussive instrument, which means you may possibly make use of a minimalistic hi-hat instead. Try and choose sounds to provide your track 'space to breathe'. Deep house is all about a smooth cool vibe. It is not as noisy, energetic and loud as other house like Electro or Techno.

A good supply for drum samples would be somewhere have you been wouldn't normally look forward to finding deep house drums, for example, paying attention to ethnic percussion sounds, exotic samples or even early Hiphop breaks. You can find great elements to work with with these to offer your drums a naturally funky feel. Try not to use overused samples including the 909 drum's, its probably not recommended as you would like sound being different from all others. You would like to be capable of stand above the bunch. Take components from these types of samples and attempt to utilize them, but obviously not the whole sample as you are thinking about creating your own personal vibe. Use them purely as inspiration to produce new grooves. Another good tip would be to reference other deep house tunes on the market, if you are making yours. This will direct you within the right direction with regards to 'sonics'. Deep house drums are mixed a certain way with concentrate on particular elements such as the kick drum and hi hats. Compression is important and side-chaining will be used more and more to create your drums feel tighter, just about all helps you to produce a small bit more breathing space in the overall sound.

Pad chords & Riffs:

Deciding which kind of chords or riffs for your deep house track is important. Whatever chord pad, riff or melody you have determine the direction from the whole track. So getting this immediately is important. Using a warm pad sound set to a nice chord note will surely embark the whole track. You can find great pads sounds within most DAW software like Logic Pro 9, Ableton Live, Reason, Cubase and others. You can get away with all the standard sounds already over these devices, but exactly how it sounds depends upon the way you manipulate it with effects etc. There are really no set rules, simply play around to see the things that work for you personally. Sometimes you'll make mistakes, but may mistakes are the best stuff that happens for the track, and it will probably present you with suggestions for something different. So don't be afraid to produce mistakes.

By utilizing lo-pass filters, envelopes, effects, compression and side-chaining, you may create wonderful shapes and sounds with the pad sound you've set. Use velocity maps and automation throughout your track to keep the arrangement interesting. With just drums, bassline along with a pad sound, a whole track can be done and sound quite full/complete if done right. An excellent tip is usually to double chord notes. This could sometimes create new obscure chords giving another edge to your sound.

One Shots & Stabs

One shots and stabs are a fun way to get nice rhythmic grooves going in a short time. Start with recording riffs naturally, then at a later date takes place mouse and editor to penetrate more detail editing the riffs. You might try making your individual one shots by dicing key chords in Ableton Live or Dr Rex for example. Make sure your one shots are pitch correct with the sound you already have laid down. After they are cut-up and edited, map them across a keyboard via MIDI and alter patterns on top of your 'pad sound'. You can have usually the one shots coming in and out through the arrangement, with all the 'pad sounds' or without. This will likely start to give your track more movement and structure. Once again, alter the lo-pass filters, cut-off, decay, sustain and release. Add compression and perhaps some reverb to widen and brighten the sound with increased warmth. Make use of envelopes in automation.


Try layering two kicks together to generate an interesting new kick drum. By having a short phat boom kick such as an 808 kick, editing the decay slightly, layered using a natural organic live kick drum kick will give your kick a brand new feel. You will find a deep analog sound with a slight organic feel providing you the very best of all possible. You may want to experiment tuning/de-tuning the kick drums to give your drum extra feels. Additionally it is smart to employ this technique with chords. By using technique on chords, you can give chord sounds more body and depth. Try doubling all of them with other instruments to generate a new sound. Get the balance right using the two sounds together, be careful not to overpower the first chord sound, as you wish that part being to be dominate element.


Your song arrangement is prime. Attempt to picture your whole track being a 'musical painting'. Also have a Dj's mentality. Even you might be a Dj playing your track within a club. Consider the elements and section you desire to are available in from beginning to end. Help the Dj to blend your track from another track. It's a wise idea in the first place drums, since it has good trigger points. You won't need to commence with drum's, start with a percussive vocal or chord pattern. Providing the DJ knows in their head when to trigger the track from. Maintain the arrangements in Deep house minimal. Brings elements out and in subtlety. Extend the track in sections, then when something does change within the track, it can make a positive change. Obviously any good change such as attracting a hi-hat after 32 bars of drums really can pick-up a groove and spark a reaction about the dancefloor.

Use automation by controlling envelops in chords, vocals & effects. Opening up lo-filters to hi-filters on the chord will surely effect big changes inside a groove. The same thing goes with vocals. By lo-filtering a chopped vocal pattern groove and automating filters with a higher resonance, can cause great movement inside a track. Use delay effects from time to time, as an example for the end of your vocal sentence just before a large breakdown. It will make your track a lot more dynamic especially if you incorporate sweeping 'white noise' effects behind it entering the breakdown section.


If you possess luxury of experiencing an international vocalist and songwriter like Robert Owens to use, that could be a way of solving your vocal session problem. A lot of people don't have that luxury, so attempt to search for royalty free vocals or even have a go yourself. Rather than recording an entirely song structure, deep house producers tend to play around with minimal hooks and snippets to create percussive vocal phrases. The main element right here is the 'hook'. Make an attempt to use vocal samples in creative ways by manipulating samples through effects, envelopes and chopping/slicing. This can be achieved in exactly the same way as 'one shots & chords'. It's a good idea to map cut vocals across a keyboard or matrix editor and build groove patterns inside a rhythmic way. Always compliment the drums and groove pattern you have going on and create different groove structures to play around with throughout the arrangement. This will give your track movement whilst it interesting. Regardless of what software or plugin you're using, each of them often adapt precisely the same principles.